- This workshop has passed.
En Plein Air Painting in Venice
Jennifer McChristian
October 12, 2024 - October 19, 2024
$3395Paint the bridges, squares and canals of Venice – La Serenissima!
Learn to paint ‘en plein air’ in the most stunning of all cities – Venice! We will use this unique floating city with its bridges, squares and network of canals to find wonderful motifs for our canvases. Discovering the unique color palette here will in itself be an inspiration, on top of the mystique of the city that has inspired painters for centuries.

Ms. McChristian will offer a brief demonstration each day and advice on a one-on-one basis in the field. Additionally, there will be class discussions and critiques of work so that participants will learn from individual instruction as well as each other.

The aim of this workshop is to instruct and guide students to interpret the landscape in terms of paint, using light and color to create form. Color relationships, design/composition, simplifying, and the benefits of painting outdoors will be discussed, as well as how to design and build a painting that carries an emotional impact. We will focus on values, shapes, edges and color as well as paint handling and materials.
Accommodations: The week will be spent in the a brightly renovated ex-convent on the Zattere in the Dorsoduro sector. When you register you can choose either a single or double room with ensuite bathroom in the complex where our studio is. Rooms are clean and comfortable, but simply furnished. If you would prefer to find your own accommodations in a nearby hotel or AirBnB, no problem. Just click that option on the registration page.
We’ll enjoy traditional cuisine at local restaurants or prepared by our personal chef. It will be an ideal place to improve your painting skills.

General Activities: Our first activity will be an orientation at 6pm on the first day followed by dinner with the group. After that, most activities for the week, like museum visits and an intimate walking tour of the back canals of this ancient city, will be organized around the workshop. It’s easy to be independent in this entirely walkable city, but all participants will come together for meals and excursions. Then, at the end of the week we’ll stage an exhibit of the work to share our personal impressions of enigmatic Venice.
Dinners: During the week we will have 5 dinners together. To experience a good cross-section of typical Venetian cuisine we will sample diverse neighborhood trattorie and Michael and Linda will host our group for two home-cooked meals with ingredients we find at the outdoor market. Two nights of the week you will be on your own to follow your nose to restaurants or concerts or the opera or whatever else might pique your curiosity. There is plenty of time for independent exploration.

Price: $3,395 p/p
Non-painter partners/friends are always welcome for a reduced fee of $3,095
Options:
- Single room supplement, add $475 (limited number available)
- Find your own accommodations, reduce fee by $800. (Click the “Accommodations” tab above for some of our nearby suggestions.)
Includes:
- 7 nights at refurbished convent – double or single (with supplement) room with ensuite bathroom and shower (Note: departure is after breakfast on the final Saturday. The last class activity will be Friday evening.)
- Daily buffet breakfast and 5 dinners at local restaurants, including wine
- Workshop tuition, daily classes and critiques with Jennifer
- Guided art history tour of Venice with local art historian
- Selected excursions and gallery visits with class
Price does not include:
- Airfare
- Lunch
- Independent meals and sight-seeing
- Workshop materials
- Local transportation: vaporettos, water taxis
To Register: just click on the Sign Up Now button. A non-refundable deposit of $500 is required to secure your spot in the workshop. Payment can be made on line with a credit card, or you can follow the instructions to send in your registration and payment by mail. Once we receive your deposit we will send you a formal Registration Confirmation with further information about the program. You will receive 2-3 other correspondences by email prior to the workshop with information about Italy, a supplies list and an electronic invoice for the balance. Final Balance is due by August 15th. Any time prior to your arrival, if you have questions about anything regarding the trip or the program, you can contact us by email or phone and we’ll be happy to assist you.
Cancellation policy:
$500 deposit is non-refundable. For cancellation:
- 60 days prior to workshop, full refund due less non-refundable deposit.
- 30-60 days prior to workshop, 50% refund of balance paid allowed, less non-refundable deposit.
Less than 30 days prior to workshop, no refund due.
Il Chiostro recommends personal travel insurance to cover the possibility of unexpected or last-minute cancellation.
Contact us for more information: info@ilchiostro.com or speak to us live at 800-990-3506.

For our week in Venice, we will be staying at the renovated monastery of Don Orione Artigianelli directly on the Giudecca Canal. The complex, which now functions as a retreat center, is built around a series of quiet cloisters where the only sound is of the bells ringing on the hour.
A modest breakfast is served each morning in the dining room on the main floor. We will use one of their conference rooms as our studio.
[Please note that temperatures can sometimes get chilly in October. By civic ordinance to conserve energy, this venue - and any hotel in Venice - is not allowed to turn on the heat until mid-to-late October. So be prepared and bring some warm pajamas, just in case!]
Room Layouts: Rooms are single or double, simply furnished, but each with its own private, modern bathroom.
Monastery Alternatives:
An ex-monastery is not for everyone, but don't let that get in the way of participating in this workshop. If you would prefer to find your accommodations in Venice, that is not a problem. Just select Program only-no Accommodations when registering, and the room fee will be deducted from your workshop fee. There are many options for hotels or AirBnB apartments that you can research. Here are some of our hotel suggestions with websites and the number of stars. They are all in the Dorsoduro section on the same side of the Accademia Bridge as the convent. Contact them directly through their websites:
NOTE: Our studios for classes will be located in the retreat center, so you might want to stay nearby.
Very Near Artigianelli
- La Calcina, Pensione ***: lacalcina.com
- Hotel agli Alboretti ***: aglialboretti.com
- Hotel Belle Arti ***: hotelbelleartivenice.com
- Ca’Pisani Hotel ****: capisanihotel.it/en
On the Zattere
- Il Palazzo Experimental ****s-grand overlooking Giudecca Canal: palazzoexperimental.com
- Palazzo Veneziano ****s - grand overlooking Giudecca Canal: palazzoveneziano.com
On Side Canals
- Accademia Pensione ***: charming, small hotel tucked away near the Accademia museum, suggestive of Venice style: pensioneaccademia.it
- Hotel Nani Mocenigo Palace ****: very old-world Venetian in style, hotelnanimocenigo.com
- Hotel American-Dinesen ****: hotelamerican.it
Near La Salute:
- Sina Centurion Palace *****L; on Grand Canal: near the Peggy Guggenheim museum, sinahotels.com/en/h/sina- centurion-palace-venice
- Salute Palace Hotel ****: salutepalace.com
Inexpensive alternative (save money - less expensive than Artigianelli):
- Casa Accademia, ex-convent beside Hotel American (not to be confused with Pensione Accademia above), inexpensive yet comfortable and convenient: casaccademia.it
To arrive either you can either fly directly into Venice or into Milan and then take the train to Venice. Specific arrival instructions will follow, but from the train station, you can take the vaporetto and get off at the Zattere. From the airport, you can take the Alilaguna ferry (Blue Line) and get off at the Zattere. In either case, Artigianelli will be right in front of you. We’ll send you easy walking directions so you won't get lost. Remember that Venice is a walking city, so pack light because you will have to pull your luggage down the alleys and over the bridges – there’s just no getting around that.
Our first activity will be an orientation at 6 pm on the first day, followed by dinner with the group.
Departure is after breakfast on the final day. If you are flying out that day, you might try to arrange your flights for 11 am or later to avoid getting up at the crack of dawn.
If you have time, you might want to explore the Lake District or enchanting towns like Bergamo or Verona, the site of Romeo and Juliet, before you arrive in Venice. This will give you plenty of time to recover from jet lag before you settle in at the convent and start your workshop. Besides, Italy is not something that should be experienced in a hurry. Its charms need to seep into your skin while you linger at a café or amble through a piazza.
Travel Agents & Insurance: Over the last few years, the way we travel has undergone significant changes. For that reason, we now encourage everyone to use a professional travel agent when arranging their trips. Travel agents save you time and stress by handling all the details and tailoring your itinerary to your needs. One of the most important services they offer today is helping you choose and enroll in the right travel insurance program. With COVID and the continued possibility of schedule changes or postponements, travel insurance has become essential, and selecting the right plan on your own can be overwhelming.
If you encounter any issues during your travels, your agent can provide quick support and solutions, taking the pressure off your shoulders. While booking through online sites like Expedia or Hotels.com may seem more convenient or less expensive, they offer little help if you need to modify your plans. A travel professional, on the other hand, is there to assist you every step of the way, ensuring a smooth and worry-free travel experience.
If you choose to Go It Alone, we highly recommend taking out travel insurance for the trip in the event of any unforeseen obstacles to your travel. We recommend Travelex (800) 504-7883 or Travel Guard International (877) 901-7599.
Venice, a city, an empire, a wonder of the world, is one of the most visually stimulating places on Earth. Stripes of canals, Byzantine mosaics glittering in the sun, window cases of blown glass, leather-bound books, plumed masks, woodcut puppets. Each step through the crooked passages is a delight. Spend a week (or two) probing unknown corners. Stay long enough to lounge at a café. Get to know the old woman at the vegetable stall. Return to that tiny mask shop again and again. Photograph it. Artists and writers have been interpreting Venice since it was born in the lagoon centuries ago, from the Grand Canal to the tiny sculptures above the doorframes. Get lost in the sensuality.
Because Venice is such a visual feast that is a collection of its past, our program offers weeklong workshops in painting or photography. Participants coming from the different disciplines will capture and be stimulated by the passion of Venice. Throughout the week, the groups inspire one another to see in new ways and to experiment with their work in a city that has awed writers, painters, colonels, and kings.

Award winning artist, Jennifer McChristian, was born and raised in Montreal, Canada. From an early age, she knew she wanted to be an artist. Upon completing high school, McChristian began her art education at Dawson’s College in Montreal, Canada. In 1986, she and her family took permanent residency in California, where she earned a Bachelor of Fine Art Degree with Honors from Otis Art Institute in 1990.
Jennifer proudly served in the Canadian and United States army reserves from 1985 through 1994.
McChristian was employed as a full-time animation artist and worked on projects for various animation studios including Disney and Nickelodeon. She has continued her studies under the tutelage of renowned artists Robert Blue, Karl Dempwolf, and Steve Huston. Her inspirations consist of notable artists such as John Singer Sargent, Anders Zorn, Nicolai Fechin and Cecilia Beaux. McChristian primarily paints in oils and occasionally watercolors and gouache. She has an affinity for painting ‘en plein air’ and also enjoys creating studio works using her outdoor sketches as inspiration. “Painting is somewhat of a spiritual experience for me. Although challenging at times, the end result evokes within me a sense of elation, nostalgia and harmony”.
Since 2000, McChristian has devoted herself to painting full-time and actively participates in art events and community building programs. She conducts an ongoing, uninstructed figure drawing workshop three times a week out of her spacious studio (that she refers to as her ‘sanctuary’) located in the heart of Los Feliz Village, CA. In addition, McChristian teaches plein air painting workshops in various locations throughout the United States and abroad. McChristian also finds the time to pursue other artistic interests such as classical ballet. She believes learning is a never-ending process and continues to develop and refine her artistic talent through workshops, research, travel and frequent excursions to museums and galleries.
McChristian recently received 'Best Signature Award of Excellence' from the Oil Painters of America 29th National Juried Exhibition and 3rd Place Award in the 9th and 10th Annual PleinAir Salon competition. She is also featured in the December 2020 Southwest Art magazine, American Art Collector's September 2020 issue and PleinAir magazine’s April / May 2021 issue.
She is a Signature Member of Oil Painters of America (OPA) and an Associate Member of the American Impressionist Society (AIS).
McChristian currently resides in Glendale, CA with her husband Ben Fried and two magically inclined cats named Sesame and Cinnamon.
Website: www.jennifermcchristian.com








