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Brush with the Past: Painting Venice through the Eyes of Sargent
Wennie Huang
October 11, 2025 - October 18, 2025
$3250Paint the Most Unique City in the World – Venice!
John Singer Sargent (1856-1925), American ex-patriate painter, world traveler, and the most celebrated portraitist of the Gilded Age, painted in Venice over the span of thirty years, from 1880 to 1913. Although his palette and approach to capturing La Serenissima changed over the course of those decades, his vision of Venice, especially his later watercolors painted after his retirement from portrait painting, remain to this day fresh and unconventional, continuing to inspire generations of artists.

During this seven-day workshop, we will sketch and paint in the same locations that Sargent painted plein air, to understand the qualities of form and light that inspired him and other artists in his milieu and perhaps to experience Venice more intimately for ourselves. Sargent avoided conventional postcard compositions of Venice’s well-known sites, choosing instead a more personal perspective, whether painting from the lower vantage point of the gondola, from within the quiet interior of a lesser known campo, or capturing the shifting reflections against the stone facade of one of Venice’s many well-known architectural gems.
Each day, I’ll provide at least two live demos at separate locations in watercolor with a touch of gouache, based in part on Sargent’s approaches to composition, color, light and shadow, movement, gesture and brushwork. I’ll also touch on the works of Turner, and in pastel, those of Monet, and Whistler, who all sketched and painted in Venice as well, and were influential to Sargent’s development. Then you will be able to choose a spot to work from direct observation, and I’ll be there on site for individual guidance and feedback.


There will also be optional sunrise and sunset locations close to our accommodations to take in the various qualities of light and color at the most dramatic times of the day more independently. I’ll also provide a map and locations for places that might be too small for the entire group to visit together, so that you can choose to visit those locations on your own.
For days of inclement weather, locations will be chosen that are shielded from the elements or we’ll work from our snapshots in the studio. Interspersed between these lessons, we’ll take in more sights on walking and cultural excursions. The workshop will culminate in a final show in the studio of sketches and paintings generated during our week in Venice.
Accommodations: The week will be spent in the a brightly renovated ex-convent on the Zattere in the Dorsoduro sector. When you register you can choose either a single or double room with ensuite bathroom in the complex where our studio is. Rooms are clean and comfortable, but simply furnished. If you would prefer to find your own accommodations in a nearby hotel or AirBnB, no problem. Just click that option on the registration page.
We’ll enjoy traditional cuisine at local restaurants or prepared by our personal chef. It will be an ideal place to improve your painting skills.

General Activities: Our first activity will be an orientation at 6pm on the first day followed by dinner with the group. After that, most activities for the week, like museum visits and an intimate walking tour of the back canals of this ancient city, will be organized around the workshop. It’s easy to be independent in this entirely walkable city, but all participants will come together for meals and excursions. Then, at the end of the week we’ll stage an exhibit of the work to share our personal impressions of enigmatic Venice.
Dinners: During the week we will have 4 dinners and 1 Sunday lunch together. To experience a good cross-section of typical Venetian cuisine we will sample diverse neighborhood trattorie and Michael and Linda will host our group for two home-cooked meals with ingredients we find at the outdoor market. Two nights of the week you will be on your own to follow your nose to restaurants or concerts or the opera or whatever else might pique your curiosity. There is plenty of time for independent exploration.

Price: $3,250 p/p
Non-painter partners/friends are always welcome for a reduced fee of $2,950
Options:
- Single room supplement, add $475 (limited number available)
- Find your own accommodations, reduce fee by $800. (Click the “Accommodations” tab above for some of our nearby suggestions.)
Includes:
- 7 nights at retreat center – double or single (with supplement) room with ensuite bathroom and shower (Note: departure is after breakfast on the final Saturday. The last class activity will be Friday evening.)
- Daily buffet breakfast and 4 dinners & 1 lunch at local restaurants, including wine
- Workshop tuition, daily classes
- Guided art history tour of Venice with local art historian
- Selected excursions with class
Price does not include:
- Airfare
- Lunch
- Independent meals and sight-seeing
- Workshop materials
- Local transportation: vaporettos, water taxis
To Register: just click on the Sign Up Now button. A non-refundable deposit of $500 is required to secure your spot in the workshop. Payment can be made on line with a credit card, or you can follow the instructions to send in your registration and payment by mail. Once we receive your deposit we will send you a formal Registration Confirmation with further information about the program. You will receive 2-3 other correspondences by email prior to the workshop with information about Italy, a supplies list and an electronic invoice for the balance. Final Balance is due by August 15th. Any time prior to your arrival, if you have questions about anything regarding the trip or the program, you can contact us by email or phone and we’ll be happy to assist you.
Cancellation policy:
$500 deposit is non-refundable. For cancellation:
- 60 days prior to workshop, full refund due less non-refundable deposit.
- 30-60 days prior to workshop, 50% refund of balance paid allowed, less non-refundable deposit.
Less than 30 days prior to workshop, no refund due.
Il Chiostro recommends personal travel insurance to cover the possibility of unexpected or last-minute cancellation.
Contact us for more information: info@ilchiostro.com or speak to us live at 800-990-3506.
For our week in Venice, we will be staying at the renovated monastery of Don Orione Artigianelli directly on the Giudecca Canal. The complex, which now functions as a retreat center, is built around a series of quiet cloisters where the only sound is of the bells ringing on the hour.
A modest breakfast is served each morning in the dining room on the main floor. We will use one of their conference rooms as our studio.
[Please note that temperatures can sometimes get chilly in October. By civic ordinance to conserve energy, this venue - and any hotel in Venice - is not allowed to turn on the heat until mid-to-late October. So be prepared and bring some warm pajamas, just in case!]
Room Layouts: Rooms are single or double, simply furnished, but each with its own private, modern bathroom.
Monastery Alternatives:
An ex-monastery is not for everyone, but don't let that get in the way of participating in this workshop. If you would prefer to find your accommodations in Venice, that is not a problem. Just select Program only-no Accommodations when registering, and the room fee will be deducted from your workshop fee. There are many options for hotels or AirBnB apartments that you can research. Here are some of our hotel suggestions with websites and the number of stars. They are all in the Dorsoduro section on the same side of the Accademia Bridge as the convent. Contact them directly through their websites:
NOTE: Our studios for classes will be located in the retreat center, so you might want to stay nearby.
Very Near Artigianelli
- La Calcina, Pensione ***: lacalcina.com
- Hotel agli Alboretti ***: aglialboretti.com
- Hotel Belle Arti ***: hotelbelleartivenice.com
- Ca’Pisani Hotel ****: capisanihotel.it/en
On the Zattere
- Il Palazzo Experimental ****s-grand overlooking Giudecca Canal: palazzoexperimental.com
- Palazzo Veneziano ****s - grand overlooking Giudecca Canal: palazzoveneziano.com
On Side Canals
- Accademia Pensione ***: charming, small hotel tucked away near the Accademia museum, suggestive of Venice style: pensioneaccademia.it
- Hotel Nani Mocenigo Palace ****: very old-world Venetian in style, hotelnanimocenigo.com
- Hotel American-Dinesen ****: hotelamerican.it
Near La Salute:
- Sina Centurion Palace *****L; on Grand Canal: near the Peggy Guggenheim museum, sinahotels.com/en/h/sina- centurion-palace-venice
- Salute Palace Hotel ****: salutepalace.com
Inexpensive alternative (save money - less expensive than Artigianelli):
- Casa Accademia, ex-convent beside Hotel American (not to be confused with Pensione Accademia above), inexpensive yet comfortable and convenient: casaccademia.it
To arrive either you can either fly directly into Venice or into Milan and then take the train to Venice. Specific arrival instructions will follow, but from the train station, you can take the vaporetto and get off at the Zattere. From the airport, you can take the Alilaguna ferry (Blue Line) and get off at the Zattere. In either case, Artigianelli will be right in front of you. We’ll send you easy walking directions so you won't get lost. Remember that Venice is a walking city, so pack light because you will have to pull your luggage down the alleys and over the bridges – there’s just no getting around that.
Our first activity will be an orientation at 6 pm on the first day, followed by dinner with the group.
Departure is after breakfast on the final day. If you are flying out that day, you might try to arrange your flights for 11 am or later to avoid getting up at the crack of dawn.
If you have time, you might want to explore the Lake District or enchanting towns like Bergamo or Verona, the site of Romeo and Juliet, before you arrive in Venice. This will give you plenty of time to recover from jet lag before you settle in at the convent and start your workshop. Besides, Italy is not something that should be experienced in a hurry. Its charms need to seep into your skin while you linger at a café or amble through a piazza.
Travel Agents & Insurance: Over the last few years, the way we travel has undergone significant changes. For that reason, we now encourage everyone to use a professional travel agent when arranging their trips. Travel agents save you time and stress by handling all the details and tailoring your itinerary to your needs. One of the most important services they offer today is helping you choose and enroll in the right travel insurance program. With COVID and the continued possibility of schedule changes or postponements, travel insurance has become essential, and selecting the right plan on your own can be overwhelming.
If you encounter any issues during your travels, your agent can provide quick support and solutions, taking the pressure off your shoulders. While booking through online sites like Expedia or Hotels.com may seem more convenient or less expensive, they offer little help if you need to modify your plans. A travel professional, on the other hand, is there to assist you every step of the way, ensuring a smooth and worry-free travel experience.
If you choose to Go It Alone, we highly recommend taking out travel insurance for the trip in the event of any unforeseen obstacles to your travel. We recommend Travelex (800) 504-7883 or Travel Guard International (877) 901-7599.
Venice, a city, an empire, a wonder of the world, is one of the most visually stimulating places on Earth. Stripes of canals, Byzantine mosaics glittering in the sun, window cases of blown glass, leather-bound books, plumed masks, woodcut puppets. Each step through the crooked passages is a delight. Spend a week (or two) probing unknown corners. Stay long enough to lounge at a café. Get to know the old woman at the vegetable stall. Return to that tiny mask shop again and again. Photograph it. Artists and writers have been interpreting Venice since it was born in the lagoon centuries ago, from the Grand Canal to the tiny sculptures above the doorframes. Get lost in the sensuality.
Because Venice is such a visual feast that is a collection of its past, our program offers weeklong workshops in painting or photography. Participants coming from the different disciplines will capture and be stimulated by the passion of Venice. Throughout the week, the groups inspire one another to see in new ways and to experiment with their work in a city that has awed writers, painters, colonels, and kings.

Wennie Huang is an award-winning visual artist with over twenty years of experience teaching in the New York City area. She currently teaches at Parsons School of Design, the 92nd Street Y, Wave Hill, and the Pastel Society of America, and is an avid plein air watercolorist and pastellist, spending parts of past summers painting in Cape Cod, where she has also led week-long watercolor and pastel workshops.
In 2017, she became a Signature Member of the Pastel Society of America and joined its faculty at the School of Pastel. Since 2020, Wennie has been an Art Ambassador for Royal Talens North America, the makers of Rembrandt paints and pastels, and Van Gogh watercolors and papers. She has been on the faculty of Watercolor Live for four consecutive years since 2021, and Pastel Live in 2021.
You can follow her on Instagram @wenniehuangart and on Facebook.
Website: http://www.wenniehuang.com/







